19 November 2024 • Press release

Versailles and China in 120 masterpieces

Exhibition at the Hong Kong Palace Museum from December 18th 2024 until May 4th 2025

From December 18, 2024, to May 4, 2025, the Hong Kong Palace Museum presents the exhibition The Forbidden City and the Palace of Versailles: Exchanges between China and France in the 17th and 18th Centuries. This exhibition, which follows the one held in 2024 at the Forbidden City in Beijing, will highlight the privileged relations between China and France during the Ancien Régime, characterized by artistic and cultural exchanges and the sharing of scientific knowledge. A significant selection of masterpieces, primarily from the collections of the Château de Versailles and the Palace Museum in Beijing, will illustrate the mutual fascination that developed between China and France in the 17th and 18th centuries.

Louis XIV: Initiator of relations with CHina

The exhibition spotlights the diplomatic policy initiated by Louis XIV toward Emperor Kangxi. In 1685, French Jesuit fathers were sent to China, joining the Beijing court as mathematicians of the King. This initiative established a foundation of trust and mutual respect between the two nations that endured until the late 18th century. This unique diplomatic context and reciprocal interest played a key role in the emergence of modern sinology in France.

A Chinese Aesthetic that swept Through France

At the French court, enthusiasm for China and its art manifested through the importation of Chinese art objects, the transformation of certain imported works—such as adding gilt-bronze mounts to porcelains or using lacquer panels for French furniture—the imitation of Chinese products, highlighted by the frenzied quest to uncover the secret of kaolin porcelain, and the significant influence of Chinese art on French art, particularly in the decorative arts.

The exhibition will underscore the endless inspiration that Chinese art represented for French artists and intellectuals, impacting fields such as objets d’art, interior decor, architecture, garden design, painting, music, and science. The works displayed in Hong Kong will illustrate the genuine fascination of the Versailles court and major French collectors for Chinese creations. Moreover, the exhibition reveals the real interest Chinese emperors of the 17th and 18th centuries had in French scientific knowledge and expertise.

A New Perspective on Sino-French relations through the rediscovery of objets d’art

In April 2024, an exhibition at the Forbidden City inaugurated the 60th anniversary of diplomatic relations between China and France for both the Palace Museum and the Palace of Versailles. This exhibition, which drew over 175,000 visitors, will find its new reiteration at the Hong Kong Palace Museum starting from December 18 2024 to May 4 2025, as a culmination of this celebratory year, featuring some of Versailles’ prestigious acquisitions from the past decade. A unique aspect of this exhibition will be the pairing of works from Chinese and French collections, creating a dialogue that highlights the mutual interest of both cultures. Furthermore, scientific collaboration between the teams at the Palace of Versailles and the Palace Museum has led to the rediscovery of previously unknown objects, deepening our understanding of this longstanding history.

Curatorship

Marie-Laure de Rochebrune, General Heritage Curator, Palace of Versailles

Guo Fuxiang, Research Fellow, Palace Museum ; and Wenxin Wang, Associated Curator, with contributions of Assistant Curators Phoebe Yin and Mia Ma, Hong Kong Palace Museum

Versailles et its chinese visitors

Chinese visitors represent the second-largest foreign nationality among visitors at the Palace of Versailles, accounting for 13% of international visitors in 2019. To enhance the experience for Chinese visitors—whose numbers were steadily increasing before the pandemic—Versailles has implemented dedicated initiatives. All visitor information and mediation tools are translated into Chinese, including the audio guide, which covers the full tour. To establish a presence in China’s digital ecosystem, Versailles has been active on Chinese social media platforms since 2015, with over 326,000 followers on WeChat, Weibo, Douyin, and Bilibili. Since 2019, Versailles has also been among the first museums to offer online and contactless payment options via WeChat Pay and Alipay.

In China, the traveling exhibition Virtually Versailles has already attracted 260,000 visitors across Singapore, Shanghai, Hong Kong, Macau, and Hangzhou. Furthermore, the Palace of Versailles fosters privileged relationships with Chinese cultural institutions such as the Forbidden City and the Hong Kong Palace Museum, organizing exhibitions in close collaboration.

Press Release

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Visuals

Key Visual

Hong Kong Palace Museum

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Corner cabinet, Bernard Vanrisamburgh, ca. 1765

© Château de Versailles, Dist. RMN © Christophe Fouin

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Perfume Fountain, Anonymous China (Qianlong Era) and Slodtz Brothers, 1736 - 1743

© Château de Versailles, Dist. RMN © C. Fouin

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The Fair in the City of Nanjing, Marie Leszczynska, 1761

© Château de Versailles, Dist. RMN / © Christophe Fouin

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Ewer, Anonymous China, circa 1680

© Château de Versailles, Dist. RMN © C. Fouin

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