The Palace of Versailles is presenting two masterpieces of 18th-century sculpture, commissioned by Louis XIV and Louis XV respectively: Zéphyr, Flore et l’Amour, and L'Abondance. These works, recently rediscovered and identified after many years of searching, and are now entering the Palace of Versailles’ collections. The exhibition is an opportunity to retrace the unique journey of these works, from their creation to their entrance in the national collections.


L’Abondance represents an allegory for renewed prosperity under the auspices of the peace-making king. In 1773, it was placed in the gardens of the Château of Menars (Loir et Cher), inherited by Marquis of Marigny Abel-François Poisson from his sister, the Marquessa of Pompadour. As the Director of the King’s Buildings from 1751 to 1773, Marigny benefited from Louis XV’s generosity. This included the donation of many sculptures kept in the royal warehouses, one of which was Zephr et Flore in 1769. This prestigious collection of sculptures was broken up and dispersed at a sale in 1881, with brothers Alphonse and Edmond de Rothschild both acquiring some of the finest works. This is how Zéphyr et Flore and L’Abondance joined the collections assembled by passionate lover of art, Alphonse de Rothschild, in his iconic Parisian hotel on Rue de Saint-Florentin

View of the vestibule in Hotel de Saint-Florentin in Paris
S.d. [septembre 1941]

© Collection Jean-Baptiste Ordas

Multiple document archives, including a previously unpublished photograph album, provided the keys to what happened to these two sculptures under German occupation. Returned after the war, the sculptures were placed in the garden of Hotel Ephrussi de Rothschild, in Paris, which in 1979 became the headquarters of the Embassy of Angola in France. The two works, kept so long in private hands, were somewhat forgotten until identified in 2018, which led to their prestigious histories being retraced. Given the historic and artistic value of these two masterpieces and the Palace of Versailles’ efforts to rebuild its artistic heritage, the Republic of Angola decided to donate them to France, so that they could rejoin the collections of the National Museum of the Palace of Versailles and the Trianon.

Zéphyr et Flore - Jardins de l'ambassade de la République d'Angola


L'Abondance - Jardins de l'ambassade de la République d'Angola

Multiple paintings representing the god of the west wind and the nymph of spring show how popular this subject was at Trianon, Louis XIV’s private residence and a true “Palais de Flore”. What’s more, a collection of works presented will shed light on the origin of the sculpted figures. It was significantly inspired by the Louis de Boullogne’s great painting in 1701 for the Fontainebleau gallery and notably reproduced by the Gobelins tapestry weavers. After the exhibition dedicated to these sculptures, they will be displayed on the permanent visit route, one in the palace, the other in the Grand Trianon. Never-before-seen works and documents will also be displayed, evoking Choisy, Louis XV’s beloved residence, as well as Chateau of Menars, a jewel on the banks of the Loire.

Le Château de Choisy-le-Roi, du côté de la cour
Gouache - Alexis-Nicolas Pérignon (1773)

© Château de Versailles, Dist. RMN / Christophe Fouin

Le lien vers le site collection


Zéphyr, Flore et l'amour

Zéphyr, Flore et l'amour

© EPV / Christphe Fouin

Commissioned by Louis XIV for the gardens of the Grand Trianon, this group of sculpted figures was one of the last masterpieces from the end of the monarch’s reign. Begun in 1713 by Philippe Bertrand and René Frémin, then completed by Jacques Bousseau in 1726, this work evokes a certain reorientation towards romantic, light-hearted themes, announcing the art of the reign to come as that of the Sun King drew to a close. It was created for the Trianon woods, which were developed for almost exclusive use by the sovereign and decorated with many sculptures. The arrival of this work at Versailles represented in a way the realisation of one of Louis XIV’s last dreams, who only ever saw the initial version displayed in his gardens.



© EPV / Christophe Fouin

Lambert Sigisbert Adam created L’Abondance between 1753 and 1758, commissioned by Louis XV for his Choisy residence. Though many works were commissioned from the best sculptors, it was rare for the sculptures to actually be displayed at Choisy. Charles-Antoine Coypel, First Painter to the King, designed the Grove of Peace to celebrate the second Treaty of Aix-la-Chapelle (1748), which ended the War of the Austrian Succession. It was meant to be decorated with five marble sculptures, commissioned from the best artists of the time. However, out of this fascinating collection, only the statue of L’Abondance was ever finished.

The addition of these two masterpieces to the collections of the Musée National des Châteaux de Versailles et de Trianon was made possible thanks to the exceptional donation of the Republic of Angola.

Audio guide

A free audio tour of the exihibition is available in French and English.

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Exhibition Curators

Lionel Arsac, heritage curator at the Palace of Versailles.

Scenography :

- Design byAgence Scénografiá : Valentina Dodi et Nicolas Groult
- Graphic design by Agence Graphica : Igor Devernay
- Lighting: Agence Ponctuel

In connection with the exhibition 

Catalogue forthcoming.

Practical information and tickets

This exhibition is presented in the Dauphine apartments, on the ground floor of the Palace of Versailles. It can be accessed with a Palace ticket or a Passport ticket. 


This ticket gives access to the whole estate of Versailles.

28,50 €



This ticket gives access to the whole estate of Versailles.
28,50 €
Read more

This ticket gives access to the whole estate of Versailles (Palace, Estate of Trianon and the gardens). Book online and enter to the Palace in the half hour following the chosen time.

It includes :

To make the most of the Estate of Versailles, the Gardens are open from 8am, the Estate of Trianon from 12pm., the Gallery of Coaches from 12.30pm.

Please note that the opening hours of the groves are different from the opening hours for water and music. Please check in advance on this page.

The Gardens close exceptionally at 5:30 p.m. on days of Night Fountains Shows from June to September as well as Friday July 14, Tuesday August 15 and Saturday September 23. The Passport ticket with timed entry does not guarantee access to the Night Fountains shows.

Ticket valid for one entry into the Gardens, through the Honour Courtyard of the Palace or the gates of Little Venice, the Menagerie, Neptune or the Dragon. Please note that a second entry is possible, but only through a different gate than the one used for the first entry.

Tickets can be purchased on site subject to availability.

Rates on Musical Gardens and Fountains Show days

28,50 € Buy

Palace ticket

This ticket gives you access to the Palace.

19,50 €


Palace ticket

This ticket gives you access to the Palace.
19,50 €
Read more
Palace ticket

This ticket guarantees access to the palace of Versailles. Book online and enter to the Palace in the half hour following the chosen time.

In order for you to make the most of the Estate of Versailles, the Gardens are open from 8am, the Estate of Trianon from 12pm., the Gallery of Coaches from 12.30pm.

From April 1st, the Palace Gardens are only accessible on days when Musical Fountains Shows or Musical Gardens are not in session. The Passport guarantees access to the Estate of Versailles (Palace, Estate of Trianon and their Gardens).

Tickets can be purchased on site subject to availability.


19,50 € Buy

The opening hours of the exhibition are those of the Palace of Versailles.

Opening hours and access


In partnership with : 


Pieces selection

1755 — Louis Tocqué

Abel-François Poisson, marquis de Marigny
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1754-1755 — Carle Van Loo

Jeanne-Antoinette Poisson, marquise de Pompadour, en "belle jardinière"
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1746 — Charles-Antoine Coypel

Charles-Antoine Coypel, Autoportrait
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Vers 1724 — Pierre-Denis le Jeune Martin

Vue du grand Trianon prise du côté de l'avenue
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1704 — Claude Bertin

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